Kosta Boda, “Colombine” vase, model no. 49839 – designed by Gunnel Sahlin 1998
A striking hand-blown art glass vase from the celebrated Colombine series, designed by Gunnel Sahlin for Kosta Boda, Sweden, c. 1998. The vase features a gently flared hourglass form, decorated with bold alternating chocolate-brown and opaque white horizontal stripes, creating a playful yet elegant rhythm.
Signed on the base: Kosta Boda, G. Sahlin, 49839.
Height: 27cm x 19cm
Condition: Excellent, with no chips or cracks.
This is a fine example of late 20th-century Scandinavian art glass, showcasing Sahlin’s hallmark use of color and form to achieve both modernity and timeless appeal.
Kristian Haugen-Johansen , There was a Time, 1987 Gouache/Oil on Board. 36.50cm x 49.50cm
Artist: Kristian Haugen-Johansen
Title: There was a Time
Medium: Mixed media
Dimensions: 36.50cm x 49.50cm
Framed: Yes
Style: Abstract / Pop Surrealism
Description:
This dynamic work by Kristian Haugen-Johansen features a lively fusion of abstract forms, vivid colors, and surreal characters. Known for his playful yet intricate compositions, Haugen-Johansen creates a visual narrative that is both whimsical and thought-provoking. Each element in the piece contributes to a richly layered scene that captures the viewer’s attention and imagination.
An excellent addition for collectors of contemporary pop and abstract art, this piece brings energy, curiosity, and conversation to any space.
Framed
Large High-Gloss Black Porcelain Vase – Contemporary Sculptural Form late 20th century
This commanding black porcelain vase makes a bold statement with its sleek, bulbous silhouette and ultra-reflective, high-gloss finish. Minimalist in shape yet dramatic in presence, it blends modern design with classic form, making it a versatile accent for both contemporary and eclectic interiors.
Product Details:
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Material: Glazed porcelain
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Color: Glossy black
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Shape: Rounded body with a flared, narrow neck
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Finish: Mirror-like surface with deep shine
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Size: 45cm x 42cm
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Condition: Good condition with minimal surface wear
Perfect as a standalone floor vase or dramatic tabletop centerpiece. Its reflective surface creates dynamic interplay with light and surroundings, while its generous scale makes it ideal for grand spaces.
Large Murano Sommerso Faceted Vase, Smoky Grey with Clear, c. 1960s–70s
A striking Murano glass vase executed in the sommerso technique, featuring a deep grey inner core subtly infused with grey tones, encased in a thick layer of clear crystal glass. The vase is sharply cut into geometric, multi-faceted sides that catch and refract the light, enhancing the depth and tonal variation of the submerged color.
30cm x 12cm
Large Murano Sommerso Green, Yellow, Light Blue and Clear Faceted Glass Vase. 1960’s
Sommerso vase with faceted glass in Green, yellow, light blue glass cased into clear glass. Possibly attributed to Mandruzzato, Italy, 1960s.
Dimension: 30cm x 11cm
30cm
Large Murano Sommerso Swirl Vase – Cranberry/Pink & Clear Glass, 1970s
A striking example of mid-century Venetian glass artistry. This large Murano vase features flowing organic lines, expertly hand-blown to create a dynamic sculptural form. The rich cranberry-pink body is accented with clear glass edges, showcasing the clarity and craftsmanship for which Murano glass is renowned.
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Origin: Murano, Italy
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Technique: Hand-blown art glass
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Dimensions: 37 cm (H) × 18 cm (W)
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Condition: Excellent, no chips or cracks. Minimal base wear consistent with age.
A true statement piece, perfect for collectors of Italian art glass or as a bold centerpiece in any interior.
Large Signed SVAJA Contemporary Art Glass Vase – 50 × 19 cm
Exceptional large-scale hand-blown art glass vase by SVAJA GLASS, signed to the base by the artist/studio. Standing an impressive 50 cm tall, this sculptural piece showcases SVAJA’s distinctive contemporary aesthetic with bold flowing forms suspended within thick crystal-clear glass.
The vase features an elegant asymmetrical organic rim and dramatic abstract compositions in deep ruby red, black, and ivory white, creating remarkable depth and optical movement from every angle. The heavy clear casing magnifies the internal forms beautifully, allowing light to interact with the glass in constantly changing reflections and layers.
A true statement piece that bridges contemporary sculpture and master glassmaking craftsmanship, this vase commands attention whether displayed as a standalone artwork or within a curated modern interior.
Details
- Signed SVAJA art glass vase
- Hand-blown contemporary studio glass
- Dimensions: 50 × 19 cm
- Thick clear cased glass construction
- Sculptural asymmetrical form
- Colors: ruby red, ivory white, black & clear crystal
- Excellent visual presence and optical depth
Perfect for collectors of contemporary studio glass, luxury interiors, and modern art-inspired spaces.
Louis XVI Style Giltwood Caned Bench – Vintage French Boudoir Chair 20th Century
Bring classical elegance to your space with this exquisite Louis XVI-style bench, a charming piece perfect for a boudoir, vanity, entryway, or salon. Crafted with refined detail, the frame features intricate hand-carved motifs—including floral garlands, fluted legs, and delicate rosettes—finished in an elegant antique gold tone.
The seat showcases traditional handwoven cane, offering breathable comfort and timeless character. With its spindle side panels and open-back design, this piece reflects the grace and symmetry of French neoclassical design, popularized in the 18th century and revived throughout the 20th.
Features:
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Style: Louis XVI Revival
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Period: Likely mid-20th century
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Materials: Giltwood frame, handwoven cane seat
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Finish: Antique gold with natural patina
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Condition: Good vintage condition with light age wear; minor cane wear consistent with use
Dimensions (approximate):
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Height:78cm
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Width: 61cm
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Depth: 45cm
Perfect for:
Elegant bedroom seating
Vanity or dressing table accent
Entryway statement piece
French or neoclassical interiors
Majolica Plates by Mottahedeh, 1980s, Set of 2
Mottahedeh majolica style plates made for the Met Museum shop. This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution
21.5cm
MARK BRAZIER-JONES: A St. James WhatNot, designed c. 1996
A St. James What-Not, designed by MARK BRAZIER-JONES c. 1996, bronzed metal, scagliola, height 114cm x width 103cm x depth 69cm.
Provenance: Acquired directly from Mark Brazier-Jones




















